GET CARTER [2 disc Blu-ray]

Product Information

Sidebar note: I just saw a gloriously immaculate wide, wide, widescreen digital projection of the 1969 The Italian Job at the Turner Classic Movie Festival, with stereophonic sound. I hope this means it might appear on Blu-ray this year. the hallmarks of the typical American crime film is the presence of a moral center. In the classics Throughout the entire process, director Mike Hodges was consulted and signed off the final restoration. Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (software uniformly simulated HDR) ,

Jason Wood also adds a contribution to the booklet that ends up taking up most of the last half of it,an extensive look at the work of Roy Budd. Wood first writes up a brief bio about the composer before reprinting interviews he conducted with musicians Barry Adamson, Matt Johnson, Jah Wobble, and writer Bob Stanley, each participant explaining how Budd’s work has influenced them or impacted film scores since. It’s one of the more extensive and well-researched pieces on Budd I’ve read. Mike Hodges in Conversation (2022, 60 mins): the director discusses his career in this interview recorded at BFI Southbank Please note that all screencaptures that appear with this article are taken from the 4K Blu-ray and are downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content. Like seeing it for the first time”, might be a clichéd saying, but with regard to this new print, it really is. Die Disc bietet eine Einführung von Michael Caine, Trailer, eine isolierte Tonspur für die von Jazzklängen bestimmte Filmmusik, sowie englische Untertitel und einen Audio-Kommentar von Regisseur Mike Hodges, Michael Caine und Kameramann Wolfgang Suschitzky.

clear to my ear, but for others the fear of the original American distributors may be justified, i.e., here, although the screencaps do not fully convey the extent to which the grain moves in film-like patterns to convey detail within the image. Given the In case you need a reminder, it's this: "You're a big man, but you're in bad shape. With me it's a full time job. Now behave yourself."

Bei dieser DVD handelt es sich um einen UK-Import mit der ungeschnittenen Originaversion ohne deutsche Tonspur. In Deutschland gibt es ihn (noch) nicht ungeschnitten fürs Heimkino. Er ist in bei uns ungekürzt ab 18 Jahren freigegeben und läuft, da es keine vollständige deutsche Synchronisation gibt, im deutschen TV immer in einer stark gekürzten Fassung, meist im Nachtprogramm. A much better trailer that hints at plot points that it savvily avoids revealing, and includes a few quotes praising the film, including one from enthusiastic fan, Edgar Wright. Hardcore fans (like ME!) who want the real deal now have a way to get it. Do you think you could update your review with an additional footnote/notice? Thank you sir for your consideration! -- Jeffrey Nelson aka WaverBoy aka Serious Michael Caine Fan (11.07.14). DISCLAIMER: This review's compressed, resized screen captures are strictly decorative and do not represent Blu-Ray's native 1080p resolution. In this second commentary, which is new to this release, novelist and author Kim Newman and author of British Crime Film Barry Forshaw provide an equally busy enthusiasts' view of the film and its production. Forshaw nails his colours to the mast at the start by proclaiming this the best of all British gangster films, while Newman suggests it's more a film about gangsters rather than a gangster movie, and is closer in tone to Jean-Pierre Melville's Le Samouraï, and both note parallels to John Borman's Point Blank. The two men bounce off each other engagingly and cover a considerable amount of ground, including Ted Lewis's source novel and its sequels, the lead actors (particularly Caine and Ian Hendry), the British gangster's attachment to his family, the notion that this is not a misogynist film but a film about a misogynist world, Mike Hodges' varied career and his follow-up film Pulp, Roy Budd's score, British critical reaction, and lots more. Forshaw notes that Michael Caine's performance is as important to the success of the film as Mike Hodges' direction, and Newman wonders why a film that is essentially about a character circling the drain is so much fun. Another excellent companion to the film.The Ship Hotel - Tyne Main (1967, 33 mins): Philip Trevelyan’s evocative documentary film about a pub on the banks of the River Tyne Color / 2:35 enhanced widescreen / 112 min. / Street Date April 22, 2014 / available through the Warner Archive Collection / 14.97 The Ship Hotel - Tyne Main - this documentary about a pub on the banks of the River Tyne was produced by Philip Trevelyan in 1969. In English, not subtitled. (34 min). The Ship Hotel – Tyne Main (1967, 33 mins): Philip Trevelyan’s evocative documentary film about a pub on the banks of the River Tyne This warts and all UHD transfer, supervised by Mike Hodges, is a marvel. The film is given new life by accentuating the detail that so informs the story.