The Great Passion: James Runcie

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I love, love, love, LOVE this novel. I love it because it is beautifully written. It is such an incredible read. Amazing narrative style. I do recommend listening to Bach's St. Matthew's passion--either in German or English. You can find it easily online to stream. (Several different recordings are found on Spotify.) In the midst of so much sorrow and loss, Bach is inspired to write a Good Friday cantata that will take listeners into the passion of Christ, putting them in the place of those who caused Jesus’ death and benefited from that act of love. The St. Matthew Passion is considered a masterpiece. Bach, throughout the book, repeats that the CHIEF PURPOSE OF MUSIC IS TO HONOR THE GLORY OF GOD ALONE.

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Change the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. What happens at the end of my trial? The Passion has two parts, and Runcie tells us the sermon was given between them. In the first part, the choir speaks of the guilt we all share, asking “Is it I” who betrayed Jesus, clamoring for Jesus to be punished for challenging the religious leaders. The music is dramatic. In Partnership with St Martin-in-the-Fields. This series of nine lectures is inspired by the words of Martin Luther during the Reformation. Distinguished speakers investigate those things in which we believe deeply – and for which we would be prepared to make a costly stand. All the stars for this profoundly moving and lovely reflection on life, love, loss, and the beauty found in both music and silence. The final part of the book culminates in the composing and performing of Bach’s St. Matthew Passion on Good Friday and explores Jesus as “a man of sorrows, acquainted with grief” and the part that grieving boys and men have in bringing the music to glorious life. It is so moving to read.Runcie imagines Bach’s desire to transport his listeners into a total engagement with the message, through his music. When he asks a widower to sing the bass, he counters every excuse, for he knows that the performance will be cathartic and the richer for the singer’s knowledge of human frailty and all the questions that come with a death. There are a lot of references to music terminology and the story is highly religious in tone. I wasn't completely put off by that but the story is often maudlin and did drag in a lot of places. I have no idea how much of this story is fact and how much is fiction. Something is happening, though. In the depths of his loss, the Cantor is writing a new work: the St Matthew Passion, to be performed for the first time on Good Friday. As Stefan watches the work rehearsed, he realises he is witness to the creation of one of the most extraordinary pieces of music that has ever been written. In The Great Passion, James Runcie makes up for this historical vacuum with a bold imagining of the months leading up to the first performance of Bach’s masterpiece. Runcie’s narrator is Stefan Silbermann, a scion of the (real-life) German organ-building family. In 1750, Stefan, now in his late thirties, learns of the death of the Cantor, which leads him to reminisce about the year he spent as a student of the St Thomas Church in his early teens. At the time, still grieving following the death of his mother, bullied by the other schoolboys for his red hair, yet showing great promise as a singer and organist, Stefan is taken in by the cantor and his wife Anna Magdalena, and practically becomes a member of the Bach household. He witnesses at first hand the composer at his work, and unwittingly contributes to the creation of what would become known as the St Matthew Passion. But where Runcie really triumphs is in his depiction of music. Writing about music is notoriously difficult – “like dancing about architecture”, to use a much-bandied phrase. Yet, in language which largely eschews technical terms, Runcie still manages to describe several of Bach’s works uncannily well, not least the Great Passion of the title. He also expresses the excitement of a first performance, the tension of the musicians, the expectations of the audience and that sense of satisfaction and release following a successful concert which performers know very well.

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In general, I prefer not to talk of those years, now that my hair is thinned and grey, but once people discover how well I knew the family, they question what it must have been like to be amongst the first to sing Bach's music. I am unmarried and live without children and it's often the only subject they ever want to ask me about. My present occupation or state of health is of little concern. It's as if, as soon as my voice broke, my life ceased to be of interest. If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for 65 € per month. Sudden death was all too common. Maybe the pandemic gave us a clue to what it was like to live with mortality on a scale familiar to the 18th century. Bach lost both his parents before he was 10, and then his first wife. He eventually fathered 20 children – and buried 10. But the death of this particular little girl seems to have distilled all his experience of loss. According to Runcie’s novel, he poured it into the St Matthew Passion and his sorrow for that child powers the Passion’s extraordinary blend of human tragedy and the divine consolations of faith. Tell me Good Things: On Love, Death and Marriage, a memoir of his wife, Marilyn Imrie is out now. ('A touchingly honest and tender memoir' The Times. If the joy provided by the birth of our Lord is infinite, then so must be the variations, Monsieur Silbermann! There is so much pain and misery in the world that people forget the joy: the sure and certain hope that our sorrows will one day end. Always remember that this is so much greater than the anxieties we face on earth!’

To conjure him as a man, a writer needs to focus very sharply, and, whether in his bestselling Grantchester stories or award-winning documentaries, Runcie is expert at focus … Warmly, reverently, Runcie bring s alive what it is like to take part, for the very first time, in one of the most extraordinary pieces of music ever written Stefan received much good advice. Even with the first hint from the oboist of "I will not be threatened". But the Cantor, his kin, and his chorus helped the motherless down the lonely path. The Great Passion' is a tribute to Bach, clad in the touching story of a grieving, bullied boy, who finds refuge in the composer's home. As its reader I became acquainted with Bach's prolific genius and life in the early 1700s in Germany. The author successfully depicts the circumstances of a large and blended family, headed by a benign despot and genius. The novel's protagonist, Stefan Silbermann, recently bereaved of his mother and cruelly bullied at the boarding school for his red hair, becomes a protégé of Bach's due to his angelic soprano and willingness to work hard. Enriched and matured, Stefan leaves Leipzig and the Bachs at the end of the school year, but not before the St. Matthew passion is completed and performed. For cost savings, you can change your plan at any time online in the “Settings & Account” section. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial.

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Almost by accident, Bach, with the help of the librettist Picander, begins to compose a setting of the Passion based on Matthew 27 and 28. It would be unlike anything heard before: a musical version of the story which would compel congregations to engage with the death of Christ. It is a priority for CBC to create products that are accessible to all in Canada including people with visual, hearing, motor and cognitive challenges.The novel is particularly successful in extracting Bach from the ivory tower in which we might imagine him and rooting him firmly in his time and place. He is referred to mostly as "the Cantor", stressing his role as the leader of the singing in Leipzig's St Thomas Church, rather than our modern idea of him as a composer. He is surrounded by an adoring (and adored) family, including his musically talented and almost perpetually pregnant second wife, Anna Magdalena. He is fond of sermonising, but he also likes horseplay with his younger children. He is an exceptional human being, but he is still human. In our American culture we are overindulgent, have a generally sloppy work ethic, and a comfortable, entertaining life. We eat too much, drink too much, and complain about anything difficult about our lives. The horrendous things in our American culture are hidden away (executions, Guantanamo, the outrageous abuse of families trying to immigrate to the U.S., racism, child abuse, misogyny) and so en masse we are not challenged with the painful inequities that the people of Leipzig had to endure in the 18th century. We simply just switch the channel, and all is good. We live in a bubble of opulence. To conjure him as a man, a writer needs to focus very sharply, and, whether in his bestselling Grantchester stories or award-winning documentaries, Runcie is expert at focus… Warmly, reverently, Runcie brings alive what it is like to take part, for the very first time, in one of the most extraordinary pieces of music ever written Daily Telegraph His latest novel The Great Passion, a behind the scenes fictional account of the composition, rehearsal period and first performance of Bach’s St Matthew Passion, is a Sunday Times Book of the Year. 'A riveting meditation on grief and the possibilities of music'. The story begins with an 11-year-old narrator, Stefan, who has been suddenly bereaved himself. Stefan’s father is a historical figure. Musical-instrument-maker Gottfried Silbermann, an important figure in the history of the piano, had a genuine connection to Bach, who criticised one of his pianos. When Silbermann altered it, Bach was the first to play it in a concert. But in Runcie’s novel, Gottfried has only two functions. One, to be a famous builder of organs, rather than pianos. The other, to be unfeeling enough to send his son to St Thomas’s choir school in Leipzig immediately after the boy’s mother dies.

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As they prepare for the performance of the Passion, the true meaning of passion comes touchingly through the story. When a tragedy strikes the Bach’s family, Stefan witnesses someone else’s grief and the solace of religion and music. Stefan is told that no matter how deep the grief is, the suffering is not to dwell on it, but to learn and grow from it. You draw a moral lesson from the tragedy, and even when you morn, you still need to carry on with your life. Being an example for all to see is exactly what Passion is about. You may change or cancel your subscription or trial at any time online. Simply log into Settings & Account and select "Cancel" on the right-hand side. You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. Compare Standard and Premium Digital here. Leipzig, 1726. Eleven-year-old Stefan Silbermann, a humble organ-maker’s son, has just lost his mother. Sent to Leipzig to train as a singer in the St Thomas Church choir, he struggles to stay afloat in a school where the teachers are as casually cruel as the students.Stefan's talent draws the attention of the Cantor – Johann Sebastian Bach. Eccentric, obsessive and kind, he rescues Stefan from the miseries of school by bringing him into his home as an apprentice. Soon Stefan feels that this ferociously clever, chaotic family is his own. But when tragedy strikes, Stefan's period of sanctuary in their household comes to a close. This book is a coming-of-age story, but it is also a love song to Bach and to the Passion chorale. It moved a little slow for me, but I think those with a passion for music – particularly choral and organ music – would love this book. It contains a lot of nerdy detail about how organs are built and played and how music is sung; a lot of that went right over my head, but music nerds will appreciate it. What I think this book does so well is explore the connection between grief and music. Stefan is grieving his mother’s death. Bach, his sister-in-law, and his older four children are grieving Maria Barbara’s death. Later in the story, Bach’s young child from his marriage with Anna Magdalena dies of fever. There is another musical family in town that loses its wife and mother. Death was such a constant part of life for so many years of history. Until COVID, we moderns have largely been insulated from the kind of relentless grief that people in Bach’s day experienced. And yet grief is universal. Every human is touched by it multiple times throughout life. I read about the author on Wikipedia and he lost his wife in 2020. Art and music and story are powerful mediums for expressing and exploring grief and this book fleshes out the connections between these in many ways. Too many to name.